For the last twelve years Maud and Bernie have experimented in an ongoing dialogue with the participant as performer, director and audience member. As artists we focus on the interplay between people, spaces, sound, lighting, costume design and the content of performers' practice research.
We work to create conditions of exchange and generosity that encourage space for the development of new sharing modes, whilst also building relationships with audiences not always well served by conventional arts infrastructures.
Outlandish Theatre is one of Ireland’s key participatory theatre platforms. We co-create and write new important theatre and performance projects through community collaboration which places the individual central to their own representation.
Outlandish Theatre operates from a belief in cultural democracy and genuine social engagement, using experimental and participatory processes to connect to individuals who may have no history of cultural engagement in Ireland. We invest in long-term partnerships with local communities, actively inviting inter-generational diverse community participants as vital co-creators in the experimental process, whilst developing new audiences. Our commitment to cultural democracy is rooted in our broader commitment to social and economic equality.
Outlandish Theatre is rooted in Open Theatre Practice, where performance research into our everyday lived experience takes place. Participants are invited to experiment in performance making within a structured methodology. We value, understand and support different literacy levels. The findings contribute to the arts ecology in today’s world. Open Theatre Practice and our direct engagement with institutions and organisations in arts, health and community contexts, lead the way to artist-led master projects. The master projects and Open Theatre Practice interconnect symbiotically. Our long-term objective is to develop and create new audiences and creators through participation and exchange within local to global contexts.
In our artistic practice the focus is on the performance research of who we are in the endgame of the Anthropocene, whilst defining theatre as a Sublime experience. It is our strong belief that artistic excellence must coincide with ethical principles and sensitivity towards people’s lived experiences, within an engagement of co-creation and trauma informed methodology.
Bernie is a performer, facilitator and theatre maker with extensive experience in arts project concept development, facilitation and management.
Within her practice, she is interested in holding space for individual and collective responses to our ever-changing existence. She is committed to research, inter-media performance approaches and socially engaged methodologies in the creation of experimental performances.
Maud Hendricks is a performer, performance maker and director inspired by the absurdist everyday, who questions human/nature and creates performance experiments with people in spaces applying theatre conventions freely. Inspired by the Sublime, the live and recorded performance body speaks inter-media non-sense in a changing world.
Fióna is a poet and creative facilitator working with OTP as outreach artist. She has previously worked with OTP as a participant, facilitator and stage manager. Her creative practice is plurilingual and endeavours to cross the boundaries between languages, cultures and disciplines. She brings this practice to her work with Outlandish Theatre.
Her most recent collection from Salmon Poetry, Love in the Original Language came out in 2022. Her poems have appears in Poetry Ireland Review, Southword, The Brown Critique and the Chattahoochee Review among others.